← The practice

The Practice Guide · Part One

The practice.

Read this first and start from it. It stands on its own and it will hold you for weeks.

Before we start

I want to tell you what I was like before this, because if you are anything like me, that part matters more than the instructions do.

I have tried a lot of things. Wim Hof for a long stretch. Meditation. Journaling, which I started and dropped seven or eight separate times over the years because I found it tedious. Books, teachers, the whole catalog. Some of them did something. I do not think any of them were bad practices. The problem was me.

Finding a practice was never the issue. Staying in one was. I live up in my head, and what would happen every single time is that I would do the thing for a few weeks or a few months, and then my mind would run the math. I have been at this a while. Nothing is really changing. This is not working. And I would stop. Every time. I never got far enough in to find out what was on the other side, because I had no way of telling whether I was on the right path or just burning mornings.

The other thing about me is control. I used control to feel safe. If I could manage the outcome, I would be fine, so I managed everything, including things that were never mine to manage. What is different about this is not the breathing, although the breathing is doing the heavy lifting. It is that for the first time I had something telling me I was on the right path while I was still on it, before I had any proof at all. That is the thing I never had. When my mind came in with its usual argument, there was an answer waiting that did not come from my mind.

Now many months in, the change I can actually point to is not mystical. I let go of an outcome at work I had been forcing, and the outcome I wanted showed up on its own within a day. I stopped worrying about financial moves that I used to be restless about, and my finances now have never been better, and it is not even close. I went back through my journal a while ago and asked for the themes across the entries, and reading the list of things that used to stop me cold and now barely register was the most convincing evidence I have gotten.

I am not healed and I am not finished. There is no finished. I am just many months into something that is still unfolding, and I am sharing it now because it worked on someone who had failed at everything else he tried, and all signs point to it working for others who are now stepping into it.

How to use this guide

Part One is the practice. Read it first and start from it. It stands on its own and it will hold you for weeks.

Part Two is the guidance. Come to it when the first part is steady, or when your deck arrives, whichever is later. There is no rush and nothing is lost by waiting.

What this is

There are three parts to this. In a daily session they run in this order.

First, the breath. You breathe in a continuous connected rhythm for a set stretch of time, without pausing between the inhale and the exhale. The pace is a bit quicker than normal, and this intentionally activates your nervous system.

Why breathe this way? When something challenging or traumatic happened to you, especially young, your breathing went shallow or stopped, and that energy got stored somewhere in the body to be dealt with later. Over the years we build up an emotional backlog in the body. If a lack of breathing is how that got deposited, the opposite is how we release it. The body cannot hold that stored material and the current activation from the breathing at the same time, so the old material starts coming up to the surface.

Second, the receiving. When you finish breathing, you sit for the same length of time and do nothing but observe. You are letting whatever wants to surface come up, and the observing of it is what moves it. Some days this is loud. Most days it is not. The quiet days are not failed sessions. What you observe might be heat in a particular area of the body, sudden emotion, memories that are pleasant or neutral or difficult, or aches and pains. The body will eventually release whatever it is holding onto.

Third, the guidance. The breath and the receiving put you in a state of attunement, and that attunement creates the conditions where you can ask a question and get an answer that is not coming from your own thinking. I use tarot cards and a translation tool to read them, because my mind is busy and I needed something physical to pull and something to help me interpret it. That is my way in, not the only one. What matters is the state you ask from, not the tool you ask with.

This guidance is accurate, and more often than not it has told me what I needed to hear rather than what I wanted to hear. You do not have to take my word for it. I am asking you to test it yourself, under the conditions of the breath and the receiving, and evaluate what you find.

This last piece is what has separated this practice from all my other attempts to release my emotional backlog. Confirmation that I am on the right path, along with precise guidance across other areas of my life, has given me the encouragement to keep going when my mind would otherwise have convinced me to stop.

Part Two covers the guidance in full.

What this is not

This is not fortune telling. You will not get reliable predictions of specific events, dates, or numbers, and going after certainty about what another person is going to choose tends to come back thin. What you get is your own side of a situation, which is more useful and less comfortable.

This is not therapy and it is not medical care. If you are working with a therapist or a doctor, keep doing that. This sits alongside it.

This is not a shortcut. The breath brings things up. That is the whole point, and some of what comes up is not comfortable. Nothing here promises you a specific outcome by a specific date.

What it asks of you

  • Dedication to the practice. Not intensity, consistency. A short session you actually do beats a long one you get around to every few weeks.
  • Willingness to sit with what comes up rather than getting up and doing something about it.
  • Honesty, wherever you keep track of it. I journal, and I recommend it, and it is optional. It is worth knowing that most of what I can point to as change is only visible to me because I wrote it down when it was still hard.

Before you begin

This isn’t right for everyone.

This kind of breathing changes your blood chemistry. It can produce tingling in the hands and face, temporary lightheadedness, muscle tightening, emotional release or shaking. That range is normal for this practice. It’s also why it isn’t for everyone.

Practise lying down or seated. Never while driving, standing, or in or near water.

Talk to your doctor before doing this at all, or skip it, if any of these apply:

  • Pregnancy
  • Cardiovascular disease, or any history of heart attack or stroke
  • High blood pressure that is not controlled
  • Epilepsy or any seizure history
  • Glaucoma or retinal detachment
  • Aneurysm, personal or in your immediate family
  • Recent surgery or recent physical injury
  • Osteoporosis
  • Asthma, and if you practise, keep your inhaler within reach
  • A personal or family history of psychosis, schizophrenia or bipolar disorder
  • Currently taking medication for a psychiatric condition

If you’re in an acute mental health crisis, this is not the right entry point. Get support from a professional first. And if you’re unsure whether something on that list applies to you, ask a doctor rather than guessing. Nothing in this practice is urgent enough to skip that step.

The breath

You are going to breathe in a continuous circle, without pauses, for a set stretch of time. That is the whole technique. It is called conscious connected breathing.

What it does is activate your nervous system on purpose. The reasoning is simple. When something hard happened to you, especially when you were young, your breathing went shallow or stopped. That is what bodies do under threat. The energy of that moment got pushed down and held, usually in the gut, waiting to be dealt with at a better time. The better time never came, so it is still there.

Your body cannot hold that stored material and this level of current activation at the same time. So it starts handing the old material back. That is not a side effect of the practice. That is the practice.

Lie down on your back. Not seated, not standing.

Breathe in and out through the mouth, deep into the belly, and do not pause at the top or the bottom. The inhale rolls straight into the exhale and the exhale rolls straight into the inhale. It is one continuous loop. The inhale is active and the exhale is released rather than pushed.

That is it. No holds, no rounds, no counting. If you have done Wim Hof, this is not that. Wim Hof is rounds of breathing separated by holds. This is one long unbroken stretch.

Some people breathe through the nose instead, in and out, and report the energy moving differently through the sinuses. If you want to try it, try it. Mouth is where I would start.

Music helps. A rhythm to breathe against takes the decision-making out of it, and a track that shifts pace across the session is better than one that stays flat.

How long

Start with five minutes to ten minutes. When that is comfortable, add a few more minutes. Then fifteen. I breathe for thirty minutes. That took months to build to and there is nothing special about the number. Longer is not better. Consistent is better. Try not to skip the ramp because you think you can handle more, unless you already know you can from prior experience.

Getting started, and the first five minutes, are always the hardest part for me. Your mind will hand you something urgent to go do. Mine used to reach for a work message every single time and then a whole hour would somehow be gone. Once you get past that five minute mark, and as you develop your practice, eventually the system goes on autopilot and you can just keep humming.

The holds at the end

This is not required, but it is something I enjoy playing with. On your very last breath, exhale all the way out and hold it out for as long as you comfortably can. Then take one big breath in and hold that in for as long as you comfortably can. Then let it go and stop breathing deliberately.

Somewhere in between those two holds is sometimes where very interesting things happen, but not always. More importantly, this is also where the breathing practice stops and the receiving begins.

Two cautions on this. Do not push either hold to the point of strain, and do not chase the intensity. Some sessions produce interesting results, and some produce nothing you can feel. Sessions with nothing in them are not failed sessions.

What you might feel

Tingling in the hands, feet, and around the mouth. Hands or forearms tightening involuntarily. Heat, often in the chest. Shaking, sometimes small and sometimes not. Emotion arriving with no story attached. Visual impressions.

All of that is within the normal range for this kind of breathing. All of it passes. If any of it becomes genuinely alarming, stop breathing in the pattern and breathe normally, and it will settle within a couple of minutes.

Receiving

When the breathing stops, stay where you are and do nothing for roughly the same length of time you breathed. Ten minutes of breath, ten minutes of this.

Nothing means nothing. You are not solving anything, not processing anything, not steering toward a result. You are letting whatever wants to come up come up, and staying with it while it does. The observing is what moves it. That sounds too simple to be the mechanism, and it is the mechanism. You do not have to do anything to what surfaces. You have to not leave.

What comes up

Sensation is the most common. Heat somewhere, usually the chest. Shaking that starts in one area and travels. Pressure or a knot making itself known. The body moving on its own in small ways. Emotion arrives sometimes, and often without a story attached to it. Grief with no memory in front of it. That is normal here.

Images and impressions show up for some people. Ideas show up for a lot of people, and those are worth capturing. And plenty of days, nothing. You lie there, your mind wanders to work and family, and then it is over.

Record it so you can let it go

Ideas commonly arrive in the receiving. Not vague impressions, real ones.

The trouble is what happens next. You get something good and immediately your mind starts holding onto it so you do not lose it. Now you are running a list, keeping it alive in your head, and you are no longer receiving anything. You are working.

The fix is simple. Turn on the voice memo app on your phone before you begin and leave it running for the whole session. When something comes, say it out loud and let it go. You do not need to sit up, you do not need to open your eyes, and it does not need to be coherent. Speak it into the room and drop it.

Then it is gone from you and it is not lost. Which is the entire point. Your mind will release something it knows has been captured, and it will not release something it thinks it has to guard.

The quiet days

This is the part I most want you to hear, because it is where people quit.

Early on I had days where something enormous moved and days where I felt nothing, and my ego wanted the big one every single time. What I eventually got told, and what has held up, is that the quiet days are frequently the days the largest things shift. You are just not present for the shift. The moment you start grading sessions, you have stepped out of receiving and into measuring. Better than yesterday, worse than yesterday, is this working. That is the mind taking the wheel back. I did it for weeks before I caught it. Warmth in the heart is worth more than dramatic shaking. If you get one signal to trust, use that one.

The thing that is actually hard

It is not the sitting still. It is the not-doing.

Everything in me wanted to take whatever surfaced and immediately do something about it. Fix it, understand it, make a plan. When a sensation got uncomfortable, my body and my mind both wanted to move it along so it would stop. Staying with something incomplete, and not working on it anyway, was the hardest thing this practice asked of me. It is also where the change came from. Trying to control the process is itself the pattern the process is working on.

After the practice

The window right after you finish is the most useful part of the day and the easiest one to waste. Here is what goes in it, in order.

Come down first

Be very gentle with yourself as you get up and start doing things. Take it slow.

The state you are in when the receiving ends is high, and it moves fast. Ideas arrive with enormous force and every one of them feels urgent. Decisions made from inside that state are usually bad decisions, not because the ideas are wrong but because the urgency is a leftover from the breathing.

Sit up slowly. Water. Give it a few minutes before you go back to your day, and give it longer than that before you act on anything that came through.

Capture what came through

Fantastic ideas show up in the receiving. This happens constantly and it is one of the real gifts of the practice.

The problem is that holding onto an idea takes effort, and effort is the opposite of what receiving is. So while you are trying to remember it, you are no longer receiving. You are managing a list.

The fix is to record instead. Turn on the voice memo app on your phone before you start, leave it running, and just speak whatever comes. Out loud, in the moment, no editing. Then let it go, because you know it is captured.

On an iPhone the voice memos app transcribes automatically, so you can hand the transcript to an AI afterward and ask for the bullet points. That takes about a minute.

I do not remember highlights well. Almost nothing I have gotten in the receiving would have survived to lunch if I had not recorded it.

Then check it before you act on it

This is the piece I got wrong for a while.

The inspiration coming out of the breath is fire. My mind wanted to act on all of it immediately. What I eventually learned is to slow down, record it, and then wait until I have settled fully back down before doing anything with it.

Once you are settled, take each idea and bring it to your heart. Not to your head. Ask whether it lands. Warmth in the chest means act on it. Constriction, which for me shows up in the head, means not this, or not now.

Some of what arrives in that state is genuinely inspired and some of it is just the energy talking. This is how you tell them apart.

Journaling, if you want it

Optional. I do it and I recommend it, and plenty of people will never keep it up.

Here is the case, briefly. A while back I went through four months of my own entries and asked what themes had shifted. What came back was a list of things that used to stop me cold and now barely register, and I did not remember most of them being that bad. Your mind quietly edits the past to match how you feel today. The version of you from three months ago is not available to you unless you wrote him down.

That matters here specifically, because when your mind eventually tells you nothing is changing, and it will, the log is the only thing that can argue back.

If you do it, keep it small. How long you breathed, how long you received, what happened in the body, what surfaced. A few lines. Then write down whatever tripped you up yesterday, because the friction entries are the ones that pay off later. The stuff you least want to write down is exactly the stuff you want a record of.

Also log the strange things. Numbers, timing, coincidences you cannot explain. You do not have to decide what any of it means, and you will forget it within a week if you do not.

Every couple of months, look back and ask what has shifted. Not weekly. Weekly turns it into another way to grade yourself.

If you skip journaling entirely, at minimum mark the date and that you practiced. Even that gives you something to look back at.

Part Two

The guidance.

Come to it when this part is steady, or when your deck arrives, whichever is later. There is no rush and nothing is lost by waiting.